November, 1989. The Berlin Wall is about to come down, but there are still East Germans desperate to defect. One – codename Spyglass (Eddie Marsan) – has a list of covert operatives to sell for his freedom. French, Russian, American, and British agents descend on the city-in-chaos, all trying to get their hands on the list first.
One such spy is Lorraine Broughton (Charlize Theron), sent to rendezvous with the embedded section head (James McAvoy) and retrieve the body of the colleague who last had the list. However, it seems that someone is spying on the spies – and she’s soon punching, kicking and shooting her way across the city, searching for the list, the defector, and possibly a double agent. As her superiors warn her: trust no one.
The first thing to really love about this movie is Charlize Theron, kicking ass like a demi-goddess. The action is brutal: no punches pulled – pun intended – in showing the reality of being in a fight. No one shrugs off blows to the head as in so many action-lite movies: this is more Bourne than Bond, with a large dash of Tinker, Tailor, Soldier, Spy. Of course, this also means that there’s a fair bit of flinching for the not-so-hardened audience – surprised this is still a 15, and that’s before we get to large amounts of naked flesh!
The music is another big plus. I’m a little weirded out that the era of my childhood is now ripe for ‘period’ settings – ouch, quite frankly! – but the 1980s soundtrack is just brilliant. There’s a mix of original and remixed songs from the era, the latter giving a darker tone to some pop classics, and very appropriate to the piece.
The assembled cast is rather impressive, too, from those already mentioned to Sophia Boutella, John Goodman, Toby Jones, and Bill Skarsgard. My only complaint here would be Theron and McAvoy out-plumming each other with their respective English accents.
And finally, this is another movie that just looks amazing. The colour palette switches between drab, bleached-out misery and eye-popping neon glow, often thrown across the face of a Debbie Harry-esque leading lady.
Alas, for all those positives, there is a large dollop of style over substance here. I really wanted to come away feeling entertained, but was rather more confused and/or a touch disappointed with the somewhat messy plot. As it becomes increasingly convoluted, I did feel attempts at twists were there because they could be, rather than making the story any stronger – or making sense for the character development we don’t quite see.
Still worth a watch, but don’t do what one person did in my screening and run out the first time the screen goes dark! 😉
Released: 9th August 2017
Viewed: 15th August 2017
Running time: 115 minutes
My rating: 6.5/10