Outlaw King (2018)

Cinema and history do not always go well together, and if Braveheart is your reference for Scottish history – oy! Let’s not start there. Going in to the story of Scotland’s other big historical hero, Robert the Bruce, I was then facing some trepidation.

From and Aussie William Wallace (was I the only one chuckling at the film’s passing reference to him being dead already? Maybe it wasn’t meant as a movie swipe, hmm!) to an American Bruce, let me first say that Chris Pine does surprisingly well on the accent (actually, Glaswegian Tony Curran’s attempt at an island dialect is far more distracting).

As for the rest of the movie… well, it’s no Braveheart (ironically, that title was more Robert’s than William’s) and I mean that in a good way – mostly. It’s still not 100% historically accurate (and as another aside, I’d suggest children in Scotland are shamefully not being taught most of this – our own history – out of, what? Anti-nationalism?), but it doesn’t take half as many liberties in the name of telling a more rousing story.

And that in itself is a bit of a problem. Bruce was not an immediate hero, but the film has to err on the side of likeability. To be honest, he’s not entirely charismatic, either: whether by design or not, there’s an attempt at a lot of ‘acting via long moody looks’ that has mixed success. Also, the story sort of muddies an attempt at an ending – which, historically, is sort of fair, but… hmm.

Best bit of the whole movie – no, not the blink and you’ll miss ‘full frontal’ that got so much press, for goodness sake! – is the absolutely stunning Scottish scenery. The movie set in it is decent if not as awe-inspiring. Take that as you will!

Released: 9th November 2018
Viewed: 11th November 2018
Running time: 120 minutes
Rated: 18

My rating: 7/10

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