The Somnambulist and the Psychic Thief – Lisa Tuttle

“I admit I did not plan my escape very well, but the fact is that I had not planned it at all.”

There is something enduringly appealing about the Victorian mystery, which is probably what caught my eye on this one – along with the title I’ve been misspelling all over the place! ūüėČ Think Sherlock Holmes – mentioned in-novel as a fiction, with Arthur Conan Doyle a contemporary figure – but with a female¬†Watson narrating. Indeed, Miss Lane (she does have a first name, but the reveal is one of the mysteries of the book ūüėČ )¬†has an¬†excellent detective mind in her own right, but she’s a little more down to earth than her ‘Sherlock’, Jasper Jesperson.

The case(s) told here are strongly linked to Miss Lane’s past as a debunker of psychic frauds. When faced with what could well be the ‘real thing’, the crime solving duo must also deduce any links to the disappearing mediums in the city, while trying to set up their new partnership with more mundane cases, like the mysterious sleepwalking of their landlord’s brother in law. And there’s still the shadow of Miss Lane’s previous partner to be dealt with…

I did enjoy this book, but there were a few things that irritated me a little. Firstly, the first person narrative is just a little too… well, full of moans about emotions and doubts and feelings. I don’t want to say it’s ‘girly’, but I’m struggling to find another phrase. There is something just ‘meh’ about a lead character voicing their doubts and fears every few paragraphs.

The other main character, Jesperson, is the opposite: head first into everything with an enormous sense of adventure – which, alas, ends up coming across as childish, not least because he still lives with his mother (the Mrs Hudson of the piece) and acts out like a spoiled brat once or twice. Oh, and of course he’s a martial arts expert, master hypnotist, and not quite as differentiated from the ‘Great Detective’ as I imagine he was supposed to be. Hmm.

Overall, though, the story was intriguing and fun and the period mood remained appealing, so it’s rather a shame I didn’t get on too well with the characterisation. That said, this looks like it might be the first in a series, and I’d quite like to see where it all goes next.

NetGalley eARC: 416 pages / 32 chapters
First published: May 2017
Series: The Curious Affair Of book 1
Read from 7th-14th May 2017

My rating: 6.5/10

Alien: Covenant (2017)

The¬†Covenant: a colony ship, heading¬†to a remote planet to allow its cargo of 2000 sleeping colonists to start a new life. When it hits a damaging neutron field, synthetic life form, Walter (Michael Fassbender, once again the only interesting character in the whole piece), wakes the crew to help deal with the disaster. Shaken by tragedy, a mysterious signal leading them towards an even more inhabitable planet than the one they were aiming for seems like a dream come true. But given this is a sequel to¬†Prometheus (2012)¬†and a prequel to¬†Alien (1979), the audience is more than aware that the dream is far more likely to be a nightmare…

I had low expectations and yet somewhat high hopes for this movie. I thought¬†Prometheus was a horrible mess, confusing¬†in its attempt to¬†come up with some (un)godly backstory to the classic franchise, and executed sloppily from start to finish.¬†Covenant surely couldn’t be any worse, right?!

Well…!! It seems like a lot of attention has been paid to the complaints from last time, so sure, this story is a bit less mystical and vague, and ‘woo’ – we have the classic xenomorphs back (I wasn’t *that* fussed, tbh!). Alas, every single other problem seems to have been ported across wholesale: crew I don’t care about in the slightest, thus making the peril they face less than gripping? Check. Clunky plot holes and/or events that fit the joining up of narratives more than logic? Check. Drippy Ripley-wannabe utterly failing to impress as Sigourney Weaver’s successor? Oh, triple check. Excuse me while I roll my eyes.

Set 10 years after the¬†Prometheus¬†went missing – although while the crew all seem aware of this fact in retrospect, they still all do the “It’s impossible that there’s human life out here!” without a single ‘what if…’ crossing their¬†tiny brains – there is still a bit of a gap to explain what happened between the two. A few flashbacks attempt to bridge this, but I was still left with a sense of “Hmm, is that really likely?!” –¬†even in fiction as wild as this, you still expect people to act like people, unlikely random coincidences to¬†not happen every time, and a whole extra stage in a creature’s lifecycle not just to crop up because the first prequel skipped it but it needs to come back!

But, the bulk of the ‘now’ of the movie should make up for this, and while it’s not dreadful for a slasher-horror gore fest, I loathed the lazy ‘crew bonding’ device of making them all married to someone who gets picked off – so, oooh, we’re going to feel for them! Urm, no.¬†Someone is killed off at the very start, but as we hadn’t even met the character at that point it’s really hard to care, and the hysterical spouse reaction is jarring until we get the explanation. Would the story have been any different if that character had survived? Not much. Yes, it changes the actions of another two characters but it just struck me as the laziest possible way to stimulate those motivations and ‘feels’. I¬†don’t care for the obvious manipulation.

I will allow that this film looks gorgeous – the design has always been a very strong element with even the prequels. And, I will also allow that my own disappointment that this wasn’t better is leading me to be very harsh. But… meh. Something about this whole movie just struck me as reactive and a bit lazy, and overall desperately unsatisfying.

And yes, I will still go see the third planned prequel: I might be being harsh, but Covenant is better than Prometheus, so hope springs eternal! o_O

Released: 12th May 2017
Viewed: 12th May 2017
Running time: 122 minutes
Rated: 15

My rating: 5/10 – disappointing

A Dog’s Purpose (2017)

As soon as I saw the trailer for this, I knew exactly what would happen if I watched it – and I was right! I needed pretty much a whole box of tissues, as I’m an absolute sap for dogs, and a movie with half the purpose being the damn dog dying – repeatedly! – was never going to go dried-eyed.

Which isn’t really a complaint!¬†A Dog’s Purpose is a wonderfully sweet little movie, told with a voice-over from a dog questioning his purpose through a handful of lives. He seems quite bemused at finding himself a puppy again and again, but the narration¬†isn’t allowed to stray too far from a canine perspective. So, for instance, he thinks his people kissing must be a search for food hidden in the mouth, and the donkey is re-labelled ‘horse dog’. Sure, it can be a little cliched, but it fits.

Despite stints as a police alsatian and over-fed corgi, the initial and main part of the story is as much about owner Ethan’s life in a small town in the 1960s, growing up, and how hopes and dreams ebb and flow. I liked that there is a sense of each successive life revealing a little more of the ‘big picture’ to the pup, and – as the trailer very nearly spoils – how that circles back to the beginning again.

To be honest it’s sweet and familiar rather than particularly meaningful, and what depth there is is more than a little well-worn.¬†But if you manage not to shed a tear over the course of the movie then – well, you must be a cat person – and hiss to that ūüėČ

PS I wasn’t aware of the controversy surrounding this movie, but as far as I can read it was a claim that the dogs had been mistreated in the water scene and was proven false.

Released: 5th May 2017
Viewed: 10th May 2017
Running time: 100 minutes
Rated: PG Рthe small child at the end of my row seemed entirely fine; it was just me crying like a baby!

My rating: 7/10

Their Finest (2016)

The Second World War was a time of enormous social change, not least because¬†– as one character in the film puts it – women and old men get opportunities they wouldn’t normally, since all the young men are off fighting and dying.

One such opportunity arrives for Catrin Cole (Gemma Arterton) when she’s recruited to write ‘slop’ – i.e. women’s dialogue – in the Ministry of Information’s propaganda films. She’s soon working as part of a scriptwriting team to write an “authentic and optimistic” movie to inspire the beleaguered nation to continue to support the war effort – and, perhaps, persuade the Americans to join in to what they’ve been viewing as a European issue.

As the movie-within-the-movie progresses, we get to watch often prickly relationships develop into friendships, all against a very un-cosy backdrop of the realities of the ongoing war. Far from the sweet and gentle movie I was expecting, people do die, or see their lives buried in rubble, or just cower in the tube tunnels as the air raids go on night after night. And yet, still, people get on and the movie goes on, and overall there is hope.

Based on a novel with the much better and more illuminating title,¬†Their Finest Hour and a Half, this is worth a watch for romantics and realists, and those who will – like me – smile the broadest at the scenes of how a ‘real life’ event is taken apart and put back together to tell a story more ‘worth telling’.

Released: 21st April 2017
Viewed: 25th April 2017
Running time: 117 minutes
Rated: 12A with a surprising (although not exactly gratuitous) amount of swearing, and some quite dark and potentially upsetting deaths

My rating: 7.5/10

Children of Thorns, Children of Water – Aliette de Bodard

“It was a large, magnificent room with intricate patterns of ivy branches on the tiles, and a large mirror above a marble fireplace, the mantlepiece crammed with curios from delicate silver bowls to Chinese blue-and-white porcelain figures: a clear statement of casual power, to leave so many riches where everyone could grab them.”

It would make sense to have read¬†House of Shattered Wings, the first book in the Dominion of the Fallen series, before¬†requesting this between-first-and-second-book short from NetGalley. But, I’d read the opening of the original, liked the premise, but been a little put off by the reviews, so what better way of giving the writing style and story elements a chance?

I love the premise here: in a futuristic yet olde-worlde Paris (huzzah for slightly different locations than the ‘norm’), the survivors of a¬†war in Heaven are divided into Houses vying for power¬†over the shattered city. Scavengers ‘loot’ the bodies of Fallen Angels – literally, as in, stripping the flesh off of fingers, to mine for magic. Ick.

Without wanting to give too much away – you might be more inclined to read things in the proper order, after all! – Children of Thorns¬†shows two¬†applicants to one of the great Houses, masquerading as ‘houseless’ ones to infiltrate a rival power. The application process is perhaps a little unusual, but when strange magical eddies start to swirl, the test¬†becomes more global…

I can see how this would lead into the next book, The House of Binding Thorns. Indeed, this was released as a bonus for pre-ordering the second installment, and was previously not available in any other way.

I was reasonably impressed. There’s a darkness here, and also enough of a difference from most fantasy-type fiction to pique my interest. I’m fully planning on allowing my to-read list to groan some more, and start back at the beginning!

NetGalley eARC: ~34 pages
First published: April 2017
Series: Dominion of the Fallen book 1.5
Read from 13th-15th April 2017

My rating: 7.5/10

Lost For Words – Stephanie Butland

“A book is a match in the smoking second between strike and flame.”

Loveday Jenna Carlew¬†works in a second-hand bookstore, Lost For Words,¬†in York. She’s a bibliophile and a loner, and as the book progresses we slowly start unravelling the mystery of her past and what’s made her so suspicious of people and of attachments.

I surprised myself by how much I loved this book. It’s not my usual genre at all – I picked it based on the bookshop setting (a definite weakness of mine!) but somehow expected something a little less real, and a little more¬†magical. By the end, though, I was definitely snuffling, and read the second¬†half of the book practically in one sitting!

At first, I didn’t really take to Loveday (a traditional Cornish name, I learned). She’s young and awkward and makes too many comments – because this is told in first person – about people reacting to her tattooes, as if she’s some kind of punk chick when the ink is actually the first lines from her favourite novels.

As the story continues there are still a few moments when I thought she was being a bit… well, she pushes everyone away and defends it as ‘sensible’, and the remarks did occasionally have me rolling my eyes. And then the story turns out to be a bit of a romance – absolutely not my genre!

And yet… woven through alternate chapters is the mystery of Loveday’s childhood, and it’s impossible not to feel for her. The past is handled so very well, and makes the present scenes very understandable and real.

As I said, by the time I got to the last few chapters I was invested enough to be teary about it all. Any book that moves you so is probably a worthy consideration for a first-line (see top) tattoo – or, more realistically, a good review!

Not one I’d recommend to everyone, but for something a bit different, or a bit less ‘genre’ than my usual reading, definitely a great find.

NetGalley eARC: 368 pages / 18 chapters
First published: April 2017
Series: none
Read from 15th-19th April 2017

My rating: 8/10

Red Sister – Mark Lawrence

It is important, when killing a nun, to ensure that you bring an army of sufficient size.

Given away by her mother, sold into a pit fighting ring, and saved from the gallows by a nun – at 8 years old, Nona’s adventures have only just begun! Taken into the convent for training in fighting and ‘magic’ and poisoning, she’s not safe from external politics or threats from her classmates.

I’ve said it before, fantasy fiction can become quite ‘samey’ if you read a lot of it – and it’s therefore a double joy when you pick up something really really good, and this is.

Mark Lawrence – another author I really should have discovered earlier, it seems! – has created an immersive and intriguing world. With hints of a sci-fi ancient history, the planet is near ice-bound, with only sunlight reflected off the ‘focus moon’ keeping a 50-mile-wide corridor free for habitation.

Into this setting¬†is set a school days tale as far from Mallory Towers as you could imagine! It’s sometimes difficult to remember that the characters are children – or nuns! – as the wider intrigues thicken around Nona and her classmates. Caught between the challenges of deadly school lessons and mysterious goings-on outwith the convent, there’s no shortage of action or blood or high drama – all written¬†with great style.

There’s a nice framing technique used in the prologue, epilogue, and mid-way break, using¬†a ‘flash forward’. To be honest, I sort of guessed some of the ‘reveals’, but it really didn’t matter. And while there’s a lot of completeness to the story told here, the scope for continuing the story is appreciated.

Recommended for fantasy fiction fans.

NetGalley eARC: 512 pages / 41 chapters
First published: April 2017
Series: Book of the Ancestor book 1
Read from 27th March Р9th April 2017

My rating: 9/10