In 1969, the murder of the young, pregnant actress, Sharon Tate, by the followers of Charlie Manson, shook the world and started the crumble of the era of love, peace and hippies. This movie is sort of Quentin Tarantino’s retelling of that period and set of events.
Except, it’s not really. Tate (Margot Robbie) is pretty much a side character, as we instead follow the fortunes of her (fictitious) next door neighbour, Rick Dalton (Leonardo DiCaprio). Rick was famous for a while, playing a cowboy in a TV show, but now he’s taking bit parts as villain of the week in new pilots. He’s accompanied everywhere by his stunt double, friend, and lackey, Cliff Booth (Brad Pitt), who’s struggling even more for work, not least because of some dark rumours about his past.
In one way, the film is about the different approaches these two men have to slowly fading careers and inevitable aging. Both actors are outstanding, DiCaprio as the whiny, self-obsessed actor throwing tantrums and sobbing, compared to Pitt’s laid-back, shrug it off, que sera acceptance of his lot. I’d have to say the latter is far more appealing, lighting up the screen with charisma, self-assurance, and a rather impressive not-dad bod for a man in his mid-50s. Sorry, got distracted there… 😉
Mostly, though, the movie is just a homage to a period in time, and Hollywood of the late 60s – in the same kind of way that Singin’ in the Rain looked back three decades to another ‘golden era’ of Hollywood.
The plot sort of meanders, doesn’t really go anywhere much, but through it all everything just looks amazing. The real win here is how the viewer is entirely taken to a different era. It’s not just the visuals, but a slow pace quite at odds with today’s modern life, and a soundtrack that isn’t full of recognisable hits as much as just music of the time – and not just music, often the backing track is an advert playing on the radio, or the TV, and all the more ‘real’ for it.
I was a little baffled coming out as to how I was going to review this. On the one hand, I kept waiting for something to happen, and mostly it did not. There are a few ‘meh’ moments, such as Tarantino’s less than flattering portrayal of Bruce Lee. There were a lot of nods and ‘homages’ that went entirely over my head – many of the characters were real people, that I just didn’t know about, and the TV shows were also generally real. There was a huge level there that would have added more to the experience – I’m just glad I knew who ‘Charlie’ was, or I’m not sure how the film would have played at all.
And yet. It didn’t feel almost three hours long – I could have watched another hour, easily. I will happily see it again, and perhaps enjoy the atmosphere even more, without waiting for the ‘plot’ to happen. So. Yes. Worth the viewing, definitely.
Released: 14th August 2019 (UK)
Viewed: 16th August 2019
Running time: 161 minutes
My rating: 8/10