Spider-Man: Far From Home (2019)

spiderman ffh poster

Following the events of Avengers: Infinity War and Endgame, Peter Parker is unsurprisingly a little burned out and looking forward to the chance to be just a teenager, rather than a superhero, during a school science trip to Europe. However, Nick Fury has other ideas – and when a series of ‘Elementals’, creatures seemingly formed of water, air, fire, etc, start attacking, Parker is called in to the fray. Fortunately, a new hero has appeared. Mysterio will save the day – right?

It turns out that the MCU’s Phase 3 has one more movie to offer. I hadn’t really been looking for more of the story post-Endgame, but as it happens this makes a nice coda to the whole Infinity Saga, giving us a glimpse of the post-snap/return (aka ‘blip’) world and a lead into Phase 4.

Spider-Man has never been my favourite of the superheroes, but this MCU take with Tom Holland has started to convert me. This is definitely an ‘Avengers’ movie, not just Spider-Man, and the teen angst is played well as a motivating factor rather than the main gist of everything. We get the usual dose of humour, plenty of nods to the rest of the series, and overall it just works.

As with Homecoming, I thought the motivations of the baddy were done well, even if the tech achievements are utterly far-fetched. Visually it’s all quite stunning, and the European locations – Venice, Prague, etc – are pretty, too.

Surprised me how much I enjoyed this, but little to nothing to complain about. It was fun! It was daft. It was a decent bridge between old stories and new. It’s not the best of the MCU by any stretch, but it’s a thoroughly enjoyable popcorn flick.

Released: 2nd July 2019
Viewed: 13th July 2019
Running time: 129 minutes
Rated: 12A

My rating: 8/10

Men in Black: International (2019)

MiB international poster

On the night that she meets a cute little alien, Molly (Tessa Thompson) also witnesses her parents being ‘neuralised’ – a fate she avoids, leading to a life obsessed with little green men and Men in Black. Determined to join their ranks, it’s no spoiler to say that she eventually manages to infiltrate and is given a chance to prove herself.

Not a reboot at all, this is rather a sequel of sorts to the Will Smith trilogy without said Fresh Prince. Instead, we travel to the London office and another star MiB: Agent H, played in full Thor-like mode by Chris Hemsworth (who is sadly not quite as funny as he thinks, at least not here). His laid-back charmer of a character, more interested in partying it up with the aliens, is juxtaposed well against the studious new Agent M.

And it seems that not all is well in the MiB ranks. Missions go wrong, colleagues are suspicious and hostile, and strange new aliens stalk the planet.

I was very surprised to see the shade thrown on this movie on IMDb. It’s not high art, but it’s a lot of daft fun. I didn’t miss Smith and Jones, rather liking Hemsworth and Thompson – the latter sitting far better here than in Ragnarok, where I didn’t warm to her interpretation at all. Nor am I impressed with any of the ‘Mary Sue’ comments thrown at her Agent M: this is a smart, driven woman, who shows intelligence AND flaws, and is often out of her depth.

The story isn’t all that strong, but the effects are top notch, and over all it was a nicely mindless bit of enjoyable entertainment. I’d watch it again, or a sequel…?!

Released: 14th June 2019
Viewed: 16th June 2019
Running time: 114 minutes
Rated: 12A

My rating: 7/10

X-Men: Dark Phoenix (2019)

dark phoenix poster

It’s been almost a decade (movie time) since the events of X-Men: Apocalypse (2016), and the mutants appear to be in a new phase of peace and understanding. Erik/Magneto (Michael Fassbender) has set up a sort of hippy commune for those who, like him, want to get away from the world, while Charles Xavier’s (James McAvoy) X-Men have new matching uniforms, a hotline to/from the President, and are ‘winning hearts and minds’ with risky rescue missions.

It’s interesting to see the trend of every other X-Men movie bucked, with the human world seemingly accepting of the super-powered. But to juxtapose that, we see increasing tensions within the group. Raven/Mystique (Jennifer Lawrence) in particular is questioning Xavier’s MO, turning into quite the mother hen for the gang while he seems more obsessed with opinions.

When Charles pushes the group to risk themselves to save an astronaut, the ‘solar flare’ that obviously isn’t ends up being absorbed by Jean Grey (Sophie Turner). The already powerful psychic and telekinetic power she possesses is turned up way past 11, and the results are devastating.

So… the last outing for the newest group to play the X-Men, and we’re back with the story that got butchered at the end of the last lot’s run. Surely to goodness the filmmakers have lots of lessons learned?!

Ah… not so much. The ‘Dark Phoenix’ storyline is handled a bit better, yes, but overall the movie is just a bit too meh. The rift between Xavier and the others, the need to prove themselves again and again versus a wish to just live – all is touched on, but not really brought to much. Peace turns to rage in a heartbeat, not without reason, but just without the backdrop to wholly care.

Worst element is probably the new alien threat, led by Jessica Chastain, egging Jean Grey to embrace her worst side. I feel like we’ve missed a movie, or at least a huge chuck of backstory, as they just appear and do stuff to further the plot. And worse is the whole “They aren’t mutants” – urm, pretty sure they’d be lumped in with the rest, rather than humankind instantly recognising alien v mutant. Hmm.

Everything (except Mystique’s makeup, for some reason?) looks pretty cool, it’s not a bad movie, but to be honest it was just a bit disappointingly meh, story-wise. Not the triumphant bow-out that anyone would have wished for, by any means.

Released: 5th June 2019
Viewed: 15th June 2019
Running time: 113 minutes
Rated: 12A

My rating: 6/10

John Wick: Chapter 3 – Parabellum (2019)

john wick 3 poster

Si vis pacem, para bellum

Against all expectations, a dark little movie of revenge and ultra-violence threw Keanu Reeves to the top of the movie charts, and spawned two sequels. I was late to the party, and still somewhat unsure what exactly had captured so much public imagination here. Fun? Sure. Brutal? Oh, indeed. Beloved? Wow.

There are indeed a few things done very very well here. The stories are un-convoluted, by which I don’t mean braindead, just unburdened with superfluous crud. There’s exactly enough motivation, without straining audience patience with another missing girlfriend/child/car or whatever. As the series has progressed, we are being given glimpses of something less straightforward, something apparently quite huge under the surface, but the filmmakers don’t waste time explaining everything. No, they go with shots of some marvellously retro telephone exchange where the underworld is kept in check by a series of Amy Winehouse-esque, tattooed gals and guys. Do I understand it? Not so much, but I don’t care – it’s just part of the fun!

Secondly, the action. It’s brutal but almost cartoonish, without being comedic (although often funny, in a dark way) and (more or less) believable. Anything is a weapon, if you know how to use it. And the set design plays so well to that – I won’t spoil it, but one scene just cracked me up, so perfectly positioned and played, even as I had to look away from bursting eyeballs. Ew. Kudos for the huge glass office, too: that looked amazing.

Following directly from the events of John Wick 2, this one is a bit more fun and a lot more batshit crazy. The backstory starts to expand again, and the series has done well enough to attract famous faces such as Anjelica Houston, Halle Berry, and randomly, Jerome Flynn. The humour – my fellow audience in the cinema was laughing out loud fairly frequently – does that rare job of straddling the line between ridiculous (I’m looking at you, Mark Dacascos!) but not parody, and balances the extreme violence somewhat.

Keanu Reeves has gotten more than his fair share of stick over the years, but he is genuinely excellent (urm, no pun intended!) here. Overwhelmed by grief, turned on by former associates, and very very good at doing something he doesn’t really care for any more. Things have progressed quite naturally in this story, and boy are they getting out of hand…!

Released: 15th May 2019
Viewed: 17th May 2019
Running time: 130 minutes
Rated: 15

My rating: 8.5/10

Avengers: Endgame (2019)

Endgame poster

So… here we are. Twenty-two movies over eleven years, and one way or another we are in the Endgame. The Infinity Saga ends here.

Last year’s Infinity War ended on something of a cliffhanger, and we pick up with the aftermath of those devastating events. The 3-hour run time allows the story to flow at a less than break-neck event, such as the previous movie, which is essential for this finale. As well as tying up the plot lines, we need to have an emotional connection with all of these characters, and to watch their emotional journeys – and that takes a little time.

As well as finding out what happens, and how, what I loved about this was the way it pays homage to all 11 years that have gone before. There are so many little nods back to the characters’ previous top moments, without becoming overly saccharine or just about patting themselves (ie the filmmakers) on the back. Sure, a few characters could have done with a little more screen time, but overall the fierce pride and joy at the whole series is brought to the screen.

IW was dark, and this is also pretty bleak at times especially – and appropriately – as it opens, but there is a large amount of humour sprinkled throughout. America’s ass might be my favourite… (or at least the least spoilery one!)! 😉 Given how joyful the series has been, it makes a lot of sense to remind everyone of the humour, especially as the series’ tone has darkened, plot-wise.

There’s not a lot to talk about while avoiding any spoilers at all, but I do think it’s worth going in ‘blind’. There are so many bits – major and very minor – that work perfectly for not seeing them coming. Indeed, the whole movie managed to be less predictable than I might have assumed, which is quite a feat after 21 movies of build up. Are there flaws – logically, in particular? Sure, but the action is high, the fan-nods are amazing, and overall it’s so, so easy to just let the imperfections go in favour of just how well they’ve pulled the nigh-on impossible together.

Is it perfect? No. But as a culmination of over a decade of genre-busting success, I don’t think they could have wrapped up this first chapter any better, with any more love to or from the fans on both sides of the camera. And so, my first 10/10 movie review on sheer satisfaction factor.

Released: 25th April 2019
Viewed: 25th April 2019 (in a Captain America t-shirt, natch ;))
Running time: 181 minutes
Rated: 12A

My rating: 10/10 – no, it’s not ‘perfect’, but near as dammit and can’t imagine they could have done much better!

Avengers: The Age of Ultron (2015)

age of ultron poster

One question that was frequently asked after the first Avengers movie was “why is this character fighting alone? Where are the other Avengers?” Here, we kick off with just that: the gang back together, kicking Hydra butt.

There’s little love for this middle-est of movies, but I enjoyed it fine at the time and more than that now. Now, it’s clear to see what this movie sets up for the future: Wakanda, vibranium, Ulysses Klaue? Ah, Black PantherThanos and the Infinity Stones and Gauntlet = Infinity War / Endgame. How Hulk ends up in RagnorokAnd the bickering between team members is going to walk us straight to Civil War.

But, we still need a movie now, and while this serves well as a bridging between Avengers and future outings, it still has plenty of character development and action.

I’d argue, as ever, Tony Stark is at the heart of this. He’s still traumatised from going through the wormhole in New York, and when new character Scarlet Witch shows him his worst fear – and ooh, is that scene going to be important come Endgame?! – his reactions are both too much, but understandable. Attempting to create a future that does away with the need for the Avengers, his creation, Ultron (wonderfully voiced by James Spader), goes a bit Skynet, seeing the ultimate goal of peace needing a bit of destruction first. Oops.

We also get to see Steve Rogers accepting that ‘the man who went into the ice’ isn’t necessarily who he is now. There is a brief mention of the ‘quest’ from the end of Winter Soldier, making it feel like we’ve not forgotten everyone’s in the middle of something, although events are now more pressing elsewhere.

Perhaps the lack of love for this stems from how tied in it is to everything else. You kind of need to have seen Winter Soldier to understand why SHIELD is in disarray, and the Avengers are now a thing by themselves. The character stuff only makes as much sense when you’ve followed their stories so far.

Of course, not everything is spot on. Personally, I only ‘got’ the whole Nat/Bruce thing when she explicitly explains her interest. And I still hate hate hate the way she talks about being unable to have children and being a ‘monster’ for it – huge misstep in tone. Other revelations are a bit cliched, and there are several scenes that really needed a lot more time to make sense (e.g. Thor’s vision) but which were trimmed for an already over-long movie.

Still. I do love the series, and this is a core slice of that. We also get great scenes like everyone trying to lift Mjolnir (‘mew mew’ forever!) during a party, and a baddie I really like, actually 😉

Released: 23rd April 2015
Viewed: 22nd April 2019 (most recently)
Running time: 141 minutes
Rated: 12A

My rating: 7.5/10

Captain America: The Winter Soldier (2014)

winter soldier poster

I’ve said that I think Tony Stark is, in many ways, the ‘main character’ (arc) of the MCU, but running a close second is Steve Rogers aka Captain America. We met him in Phase 1, back in the 1940s, as he transformed from plucky kid to super-serum enhanced soldier. And we saw his shock at waking up in the 21st Century, after decades on ice, both at the end of that first outing, and again in Avengers.

CA:WS starts with Steve throwing himself into a new life as a soldier, albeit a very different kind than he started out as. His disdain for spywork and covert operations is clear. In fact, he seems to be having doubts that he can continue with what he sees as a dishonest occupation. But then a new threat rises: a ghost of an assassin, the mysterious Winter Soldier.

I do like the Captain America trilogy in the MCU, and this is quite possibly the strongest of the three (fitting, as Iron Man’s best is his first, and Thor’s third). Steve’s struggles to fit in give the piece its emotion, especially when you sense he’s just coming ’round to everyone’s urgings to move forward in life – right as the past catches him up.

The CA movies are about wars and spies, fighting and intrigue, and this movie has plenty of both. Cap is joined by Black Widow, Nick Fury, and newcomer Sam Wilson aka Falcon, and all are given their moments to kick ass. There are passing mentions of other Avengers, too, although not so much the events in New York – Iron Man 3 was set heavily against that, while Thor 2 and this seemed to pull away again. That, of course, will change with the next Avengers team up…!

This one is… better than I tend to remember. It feels a little buried in middle-film syndrome, but it’s actually a spot-on action movie with twists and turns that you forget how surprising they might have seemed at the time. It still stands up for repeat viewings, though, mainly for well-choreographed fights and excellent visuals.

Released: 26th March 2014
Viewed: 29th March 2014 / 20th April 2019 (most recently)
Running time: 136 minutes
Rated: 12A

My rating: 8/10