A disastrous attempt to fix global warming sees the planet plunged into an ice age. Humanity’s only survivors are the passengers of a world-circling train, a ‘luxury liner’ affair built by a train-obsessed rich industrialist.
Seventeen years later and the wonder of engineering might still be in full working order, but society on board is anything but. There’s nothing subtle about the class warfare, with the elite living it up towards the nose while the tail section is a malnourished underclass of slave-like workers. Revolts have failed before, but perhaps this time…
Usually I try to leave the personal stories out of my reviewing, mostly, but this movie looms large in my radar. It was shown at the Edinburgh Film Festival in 2014, practically on my doorstep, and I very nearly managed my first festival film 🙂 However, I reasoned that I’d save a ton of cash if I waited ’til the general release – only for a big argument with the distributor see this never again shown, legally, on UK soil. Argh!! So, imagine my delight when it turned up on Netflix…
Of course, with such a build up (see The Great Wall, far less anticipated, massively not worth the wait) I was half-expecting this to be a huge disappointment. But hurrah, I rather enjoyed it! It’s a bit bonkers, a lot unbelievable, but well told, looks great, and acted very well.
The whole thing does come across as very allegorical, with zero subtlety on the class system commentary. And yet, it’s still got a bit of punch.
Story-wise, it’s deceptively simple, with the rear-train workers making an attempt to take over the engine at the front, led by Chris Evans and John Hurt, assisted by the likes of Jamie Bell, Octavia Spencer, and Ewen Bremner. Life is so awful for them, there’s no surprise in this. As in High-Rise (2016), the excesses of the ‘upper’ classes is mercilessly ridiculed and ridiculous, so it’s not hard to forgive the awful violence.
But, without spoiling anything, not everything may be exactly as it seems, and the last act has a few reveals that give a whole other view…
I’m glad I saw this. It’s not perfect by any means, but it was a bit different, a lot interesting, and overall worth a couple of hours for fans of dystopian futures and low-key sci-fi without the splashy space stuff.
Released: 22nd June 2014 (EIFF)
Viewed: 27th May 2019
Running time: 126 minutes
My rating: 8/10