A Dangle A Day – Angela Porter

a dangle a day cover

“A dangle is a beautiful string of charms you can use to decorate all kinds of things, including alphabets, shapes, borders, illustrations, quotations, and anything else you can think of.”

I got into zentangling a while back – sort of doodling with rules – and I’ve been meaning to get back into it for ages. I’ve also taking to Bullet Journalling in a big way, finding it a fab mix of my needs to be organised and a bit creative. So when I spotted A Dangle A Day on NetGalley, it looked just my thing – and I was right!

The first section is on lettering. This has always appealed to me, and there are plenty of step-by-step examples – one for each letter and number, each in a different kind of style to mix and match – which will be very handy when I’m stuck for inspiration.

The second section is on seasons. Doodles and ‘dangles’ can look quite simple, but coming up with ideas is half the battle. The author took that work out of the equation for me, providing dozens of examples of just the kinds of seasonally-appropriate little doodles I was after, be that holly or bells for Christmas, hearts and flowers, or more abstract designs, plus colour schemes that match the seasons.

The actual ‘dangle’ part of the title refers to stringing doodles together in streamer-like chains, and while I wasn’t too sure about that part to begin with, the description of using them as BuJo section breaks was a lightbulb moment. They were also perfect for decorating my Christmas card envelopes.

Dangles and zentangling and doodling are lovely, relaxing and just ‘nice’ activities that I recommend wholeheartedly, and this book is a fantastic resource for inspiration. There are sections after each example for you to have your own go, if you have the physical book, but even if not – get the pens out, and have a play about. It’s great for the soul 🙂

NetGalley eARC: 147 pages
First published: 2019
Series: none
Finished reading: 9th February 2019

My rating: 9/10

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How to be Both – Ali Smith

Ho this is a mighty twisting thing fast as a fish being pulled by its mouth on a hook…

The words ‘Award Winning’ usually have me running for the hills – Oscar nominees are usually very good, very boring films, for instance! But somehow, the accolade of winning the Man Booker Prize this year brought this book to my attention and I thought, why not shake my reading up a bit?

The big marketing ‘thing’ with this book is that the two sections can appear in either order. They are linked, but fairly loosely.

My copy started with the section on 15th Century artist, Francesco del Cossa – who, I only learned after reading, was a real person. I might have enjoyed this part of the book even more had I known I could go google for some of the artwork being described – so, maybe do that!

There are more than a few reviews suggesting that this section was difficult to enjoy, and had to be returned to after reading the more modern half. I confess, the opening few pages almost saw me give up: the stuttering stream of consciousness just did nothing for me, nor the repeated use of “Cause” for because, and “Just saying” – not very in-period, really! But I love art, and this period, so it wasn’t too hard to keep going. However, it all ends rather abruptly, and so I went on to the other section hoping for some explanations…

The other half of the book follows George struggling to cope after the death of her mother, in a contemporary setting. It’s (clearly!) very well done, interspersing grief and memories and the struggle to keep going with modern life. But of course, as it doesn’t actually ‘follow’ the tale of del Cossa, there is no resolution to be had.

So here’s the thing: literary fiction isn’t my usual read, and it sort of grates on me that it ‘gets away’ with a whole pile of things that so-called genre fiction wouldn’t. Like, no real plot, and certainly no real resolution(s). The two parts of the book do tie together, in a fashion, but with minimal explanation.

Overall, it’s obviously very well written, and the prose is a joy to simply read. But while it deals with art, and death, and grief, and all sorts of other ‘real’ stuff admirably, I can’t help but feel a small ‘well, what was THAT about?’. Maybe the flaw is mine, and I’m simply not deep enough for this kind of book! 😉

Consider this moral conundrum for a moment…

HB: 372 pages, 2 sections which can be read in either order.
Read 13th – 25th June 2015

My rating: 7/10