Looks like I managed one last cinema trip before the COVID-19 lock down o.O Oh well. Here’s my review, in case you want to watch out for the movie on streaming…!
The 1970 Miss World Competition, held in London, was controversial for several reasons. The main one examined in the movie is how the parade of young women being judged ‘like cattle at market’ sat so poorly with the rising Women’s Liberation movement. Sally (Keira Knightly) doesn’t really want to join the politics of it, but every turn of her life shows her how much she needs what is being fought for. It’s hugely frustrating watching this intelligent woman being talked over by men, dismissed as lesser, and even having her own mother judge her harshly for living what we today would see as a fairly normal life: divorced, living with a partner who does the cooking while she studies. How radical!!
When she falls in with Jo’s (Jessie Buckley) group, the plan is hatched to protest at the symbol that is Miss World 1970. Interwoven with this plot is an inside look at the contest. Some contestants aren’t too happy with the media frenzy. Others see it as a way out of a harsh life. And for a few, they are making history: the first black South African to take part, in this time of Apartheid, for example.
The contrast of the two stories is perhaps what makes this so interesting: the clash between wanting to make a statement about women’s rights, and the ‘lucky’ few who needed the hope that winning the contest would bring them. The question is raised: should you fight so hard for women’s rights, when minority rights are still so far behind? There’s a hugely poignant moment when Miss Grenada (Gugu Mbatha-Raw) is told “you don’t think people like us can win, do you?” – ouch, but rings so true.
Still, something didn’t entirely click for me. It’s a nice movie, and I’m not sure that was the right tone – too much is left hinted at, or stated and not really examined. Which doesn’t make it a bad movie by any stretch, and indeed it was enjoyable and watchable, but given the anger I felt at how women were treated not that long before I was born and hell that some of it hasn’t changed now (I get spoken over *so* much, still; one of my colleagues has noted that if I answer a tech Q I get challenged far more often than one of the more junior boys), it just felt a little ‘lite’.
The subplot with Bob Hope (a great impression by Greg Kinnear) felt a bit flip on top of everything, but in hindsight it fits the themes perfectly. The relationship between Miss World organiser Eric Morley (Rhys Ifans) and his wife, Julia (Keeley Hawes), could have done with more development to make a similar message stick, but maybe that’s the problem: too many issues, too many viewpoints, nothing that hammers home.
Still. If it went too far into ‘radical feminist’ territory, it would probably be less watchable. Like over half the human race, we just can’t win 😉
Recommended, although didn’t require the big screen per se (probably a good thing in this testing time!). The performances are great, the music and fashion is wonderful, and there are threads of several very decent stories going on. And the ending, with some of the real people involved and updates on their lives – well, that was the uplifting message that we needed!
Released: 13th March 2020
Viewed: 13th March 2020
Running time: 106 minutes
My rating: 7/10