Pitch Perfect 3 (2017)

pitch perfect 3 poster

Three years after graduating from Barden University, the former Bellas – the all-female, champion acapella group – are finding the real world less than perfect. Realising how exciting the prospect of a reunion is, they get themselves on a USO tour to entertain US troops abroad (although we’re talking Spain, Italy, and France, for some reason – I’d expected, y’know, warzones?). And just because there HAS to be a competition (a bit of an in-joke in the movie), the headlining DJ Khaled will be picking his favourite from the tour performers to open for his own act.

But can the Bellas compete against actual bands with actual instruments? Will Aubrey ever get her dad to a performance? What about Fat Amy’s dad and his shady past (not to mention very dodgy accent!)?

The reviews for PP3 were less than glowing, but I love the original movie – it’s one of my go-to feel-good movies. The sequel was a bit missable, imo, and I found the new ‘Legacy’ character annoying (also an in-joke on screen here), so my own expectations for part 3 were pretty low.

Thankfully, I was proved wrong: this is a lot of daft fun! There’s a slightly different vibe going on as the group have grown up – okay, still 90% singing, but instead of romance and struggling to finding job, we get a ‘success at college isn’t life success’ – just before the stakes are turned up to involve kidnapping, armed combat, and explosions! 🙂

So yes, very silly, but I really enjoyed it. I think it’s better than the middle instalment, if not quite hitting the sheer joy of the original. There’s also a bit of a finality to the tone here, which adds an unexpected tiny dash of poignancy – or, it’s just out and out slapstick, take your pick! 🙂

Released: 20th December 2017
Viewed: 13th January 2018
Running time: 93 minutes
Rated: 12A

My rating: 6.5/10

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The Last Jedi (2017)

Last Jedi poster

Phew – I can relax, no one can ‘get’ me with spoilers for the Biggest Movie Event of the Year (TM) now that I’ve seen it! I’ll provide none of my own, don’t worry.

I’ve always felt I was just the wrong age to be a huge Star Wars fan, and while I’m a huge (wannabe) geek I’ve always had that feeling that I’m just not into it enough to appreciate all the hype. I missed out on the original trilogy largely, I was less than enthused by the prequel trio, and while I rather enjoyed 2015’s The Force Awakens (aka episode 7) it felt more like a rehash of the original – yes, it was fun and I liked it but… it was missing something, some spark of originality or soul, perhaps?

I was a little surprised, then, when The Last Jedi side-swiped me into being the film that is finally making me geek out a LOT over this whole franchise! 🙂

Without mentioning specifics, this has a lot going for it: a more original storyline, lots of character development all ’round, cute critters in the form of porgs, some familiar faces, some new blood adding positively to the film. I laughed more than I expected – there are some genuinely funny moments, and it’s a huge boost to see a juggernaut like this not taking itself too seriously. And of course it looks spectacular, and is just chock-full of adventure and action and everything that makes Star Wars Star Wars!

It’s not perfect. I was a little puzzled by some of the plot threads, which were perhaps a little bit… pointless, dare I say? There were a few moments of “Why didn’t you just do that in the first place?!?!” and other slight logic flaws. The things that were maybe waiting for an explanation that either didn’t happen, or just were a bit underwhelming.

And then there are the visuals that make all of that just melt away. The eye candy is everywhere, from background details to fantastic wildlife: crystal foxes and the soon-to-be-ubiquitous porgs. The use of the colour red is particularly ‘wow’, from Supreme Leader Snoke’s throne room to the planet where the very ground seems to bleed.

I had thought going in that 2.5 hours was going to feel like a long movie, but it really didn’t. I was genuinely swept up in the fun of the adventure, and the sense that there is a lot more story still to come. Finally, I think, I might be starting to understand a bit about the huge appeal of this universe!

Released: 14th December 2017
Viewed: 16th December 2017
Running time: 152 minutes
Rated: 12A

My rating: 8.5/10

A Bad Mom’s Christmas (2017)

Bad Moms 2 poster

Bad Moms was one of those daft comedies that ended up having a little more heart and substance than I’d expected, and actually ended up rather enjoying. I still knew that this holiday-set sequel wasn’t going to be a ‘good’ movie, but it was the daft fun I was looking for.

Amy (Mila Kunis) is doing well after the events of the first movie, with a hot boyfriend, good relationship with her kids, and best friends Kiki and Carla agreeing with her that Christmas is far too much pressure on moms and therefore should be taken at their own pace.

Which is fine, until the grandmothers arrive in town…

The plot is utterly daft, but there is a lot of joy in seeing Susan Sarandon as the drug-hazed rock chick, and Christine Baranski largely playing the same character she does so well. The humour swings between very fun and very cringeworthy, though, so your mileage will vary hugely depending on how far you find funny. The dry humping in front of the Christmas table was a bit off for me, and the whole sickly sweet stalkerish mom didn’t tickle any funny bones. And, as with the first movie, the constant need to swear got a bit dull – and I sound like a naval cadet half the time, so I’m no prude! Maybe if they’d just varied from the one word every few lines?

Overall, though, this was the Christmas movie I was willing to tolerate at the start of the festivities (although it was out a whole month too early, if you ask me!), and provided enough feel good moments to kick off the season. Not exactly likely to knock Die Hard off the best Christmas movie spot, though 😉

Released: 1st November 2017
Viewed: 30th November 2017
Running time: 104 minutes
Rated: 15

My rating: 5/10

Murder on the Orient Express (2017)

murder on the orient express poster

Famous detective Hercule Poirot has just solved yet another baffling case – the resolution of which we see at the start of this movie – but he feels weary and out of sorts. He’s a little love lorn, as it turns out, but generally just tired of being a famous detective. However, his planned vacation goes a little awry when one of the thirteen other passengers is murdered. Of course Poirot is called upon to use his skills: because they are now trapped on an avalanche-blocked train, high in the mountains, with a murderer.

I have absolutely no recollection of any previous adaptation of this, one of Agatha Christie’s most famous and lauded novels, which I have also failed to read. So, for me this was still quite the mystery, which really added to the experience – something that I’m not sure many viewers would have. However, I have a sneaky suspicion that I did at one time know the ‘whodunnit’, or the story was even less well handled as the who reveal was a little less than the stonking surprise it perhaps should have been.

That’s rather my general view of this movie: given the cast, the obviously generous budget, the pedigree of the material and the opportunity to put on the big screen something that hasn’t really been done for decades – why isn’t this just somehow better?

On the plus side, it looks absolutely gorgeous. The period detail, the scenery, the train itself – all wonderful. And yes, the cast is an amazing list of names to gather in one place: Michelle Pfeiffer, Daisy Ridley, Judi Dench, Olivia Colman, Willem Dafoe, Johnny Depp, Penelope Cruz… phew!! And, of course, director, theatre luvvy, and bearer of the most amazing moustache seen on screen this year, Kenneth Branagh.

And… that’s perhaps the problem. Or rather, Branagh himself might be. The movie gives so little time to any of these amazing actors, relegated to bit-parts and almost-cameos, that it’s hard to care as much as I think we should about their characters. Instead, we get a few too many self-indulgent moments with the great detective laughing oddly at Dickens, or sighing over a woman’s photo – trying, perhaps, to add complexity to his character when I’d suggest the detective should be the least well-rounded person in the story, to be honest.

So. Y’know, I’d still say go and see it. It’s lush and lavish, and the sort of thing I do rather wish they’d make more of. Okay, I’m a bit so-so on the idea of the end-of-movie hint at a sequel (it does bookend the story, which also starts with a different case), but I’d probably still go and see it, just for the spectacle. That said, I’m reliably informed that if you have fond memories of David Suchet in the role from back in the 1980s-90s, then this is going compare poorly. You have been warned!

Released: 3rd November 2017
Viewed: 6th November 2017
Running time: 114 minutes
Rated: 12A

My rating: 6.5/10

Geostorm (2017)

geostorm poster

Geostorm starts with the kind of cutesy, hopeful voice over that instantly made me fear I’d made a terrible, terrible mistake. Truth is, I avoided this movie for most of its release run, expecting awfulness. I’m pleased to report it was far from the worst thing I’ve ever seen – but, still in no way shape or form a good movie! Knowing that, relax and enjoy the spectacle.

So… in 2019 (that voiceover helpfully informs us), the scale of destruction caused by global warming-related extreme weather is such that all the nations of Earth band together to do something about it. Enter the highly unlikely casting of Gerry Butler as a top scientist, who leads a team in creating ‘Dutch Boy’ (after the tale of the one who stuck his finger in a… urm… dam, and saved the town from flooding), a system of satellites that can interfere in weather patterns before they become catastrophic. Of course no one would ever attempt to use that kind of power for evil, right?! o_O

What follows is every disaster movie trope you’ve ever seen before, plus every someone-high-up-is-behind-the-sabotage ‘thriller’, and a pretty cringeworthy rehash of every estranged-family-thrown-back-together stuff. Overly bright teenage offspring are on hand to give ‘meaning’ to saving the planet (!) and to sob pitifully for your heart string tugging needs. Cute animals are imperiled by tornados! Lots of scantily-clad beach people are frozen to icicles!!!

If I’m not being clear, this is daftness turned up to, oooh, about eight and a half? If, however, you manage to actually see any of the movie between bouts of eye-rolling, then the visual candy is quite nice. I did love the new and improved ISS – space geek that I am – and the balance tipped in favour of ‘space stuff’ over too much CGI natural disaster footage.

To say there’s absolutely nothing original about this is putting it mildly. If I had paid for the experience, I might be feeling ripped off. However, a quiet afternoon’s excuse for leaving my brain switched off, it really wasn’t as dreadful as I feared – which is about as high praise as I can manage. Still, in terms of meeting expectations, it was into the positive. Go figure!

Released: 20th October 2017
Viewed: 9th November 2017
Running time: 109 minutes
Rated: 12A

My rating: 5/10

Thor: Ragnarok (2017)

Thor Ragnarok poster

There’s a growing concern with the Marvel Cinematic Universe that you have to have seen all of them – and that’s 16 movies before this point, and let’s not even talk about the TV shows o_O But, fear not, as Ragnarok opens with Thor (Chris Hemsworth) giving you the only few points you really need to know: that he’s a bit of a big deal on Midgard these days, having saved the planet a few times… 😀

The tongue in cheek humour starts at the beginning and does not let up through the entire movie. It’s easily the funniest thing the comic book craze has spat out through the last decade, and just an utter joy to chuckle my way through. Tonally (and in colour palette) this is a lot closer to Guardians of the Galaxy (with a bit of Lord of the Rings thrown in) than either of the two previous Thor/Dark World movies or even the recent MCU e.g. Civil War, and I for one think that’s a good thing – certainly, it beats the po-faced DC efforts hands down.

Quick recap: during Age of Ultron Thor started having visions of Ragnarok, the prophesied end of Asgard and death of the gods. He was thus absent from Civil War, as was Bruce Banner (Mark Ruffalo), last seen in his Hulk form flying off in a quinjet in an attempt to avoid causing more damage around himself.

From the trailers, we know that the two are going to met again in a Roman-esque arena fight presided over by the hugely OTT Grandmaster (Jeff Goldblum) – who happens to be the brother of the Collector character (Benicio del Toro) from Guardians, providing another link between the two halves of the MCU.

Meanwhile, Asgard’s inhabitants are under threat from their new would-be ruler, Hela Goddess of Death (Cate Blanchett, looking stunning, btw!), who is less concerned about having subjects to rule than she is about being worshipped. I have since read a few less than great comments about the character, but I thought she was great: very sarcastic and irreverent, in keeping with the tone of the rest of the movie, and Blanchett is clearly loving camping it up to the nines. Conversely, I was less impressed than other reviewers with the Valkyrie character, who I thought could/should have been a little more physically imposing, or as with the Amazonians in Wonder Woman, given a little more presence by being cast older?

While these two plot lines are hurtling towards a collision, buried beneath the thick layer of gags is a surprising amount of heart to the movie. While it’s unlikely to have you in tears (come on – it can’t just have been me with Guardians 2!!), there are a few beats that give a little substance to characters we’ve been following through quite a number of years now.

Overall, then, this is a wild and fun ride, with a more satisfying plot and character arc than the previous installment, although you might have to look past the froth to see it. I realise that I’m about to give this a higher rating than Blade Runner 2049. Is it a ‘better’ film? No, it’s not really – but as a cinema viewing experience, it was a bit more satisfying and while I’d like to see both again, it’s this one that makes me really smile at the thought 🙂

As usual, there are 2 mid/post credit scenes, the first teasing the next Avengers movie, and the latter with the Grandmaster.

Released: 24th October 2017
Viewed: 24th October 2017
Running time: 130 minutes
Rated: 12A

My rating: 9/10 – just, so much fun!

Blade Runner 2049 (2017)

BladeRunner 2049 poster

I’m finding this such a hard movie to review, I can barely imagine how difficult it must have been to make! The original Blade Runner (1982) has become one of the cornerstones of science fiction cinema. The look, the noir-ish feel, the music – all iconic. So, first rule of sequel: don’t destroy that kind of legacy!

And – phew! – BR2049 doesn’t. In fact, it does a lot of things very right. However… I dunno, perhaps my expectations were set too high, but while I thoroughly admire what they’ve done here, I’m giving it a lower mark (still 8/10!) than I thought I would.

First off the good stuff: it looks fantastic. I means, the world is a bit grubby and not-nice, and yet the visuals are still mindblowing. Cinematography Oscar, surely – and given the man responsible is Roger Deakins more than overdue, too!

The cast were all really great, too. I’ve never wholly understood the massive appeal of Ryan Gosling, but his slightly blank approach here works very well for the character. It’s his movie: Harrison Ford doesn’t show up until well through the extended running time, and to be honest it would have been great if they could have left that as a surprise.

Ah, yes: avoiding spoilers! This is definitely one of those movies where going in as un-informed as possible is a plus, which only adds to the difficulties in reviewing! So, no plot details from me, just the vague: Blade Runner Ryan Gosling is sent on a mission that might have a far bigger consequence than anyone could know. Along the way he has to deal with Niander Wallace (Jared Leto), the new owner of what was the Tyrell Company, who has his own agenda and one of the new, ‘obedient’ replicants, Luv (Syvia Hoeks), to push it.

So why didn’t this hit quite as many buttons for me as I’d hoped? I’m not entirely sure, to be honest – quite frankly, it should have. Perhaps the plot wasn’t as surprising as it was for others, given that a few threads of it have appeared (and not desperately well handled, tbh) in the KW Jeter ‘sequel’ books? I suspect it might be more to do with the ten million different versions of the original movie – with rather different views on a certain Big Issue – leaving this one with a slight dilemma on which to follow. And while many reviewers are praising the way this, too, leaves that ambiguity, I actually felt that only one version actually makes sense – given a few lines, and the overall plot – and it’s not the one I was a fan of. Ho-hum.

Another slight discomfort for me was the sheer amount of female nudity and sexualisation. It’s not the film’s fault to have opened in a time where this is such a trigger issue, but still: it feels like every variation of subservient womanhood is portrayed here, from the virtual and porn-esque representations, to the actual prostitute and the unappreciated ‘secretary’-type. It was all just a bit ‘off’, somehow, given the present culture of Hollywood and beyond.

That said, don’t think I didn’t enjoy this because I did. Flaws aside, the visual spectacle alone is worth a watch, and unlike some other recent eye candy, this has a great deal going on underneath that. The main character’s story arc is handled extremely well, the baddies are a delight, and there’s enough left unsaid or unexplained (black out, anyone? Oh, but how perfect to explain the retro-tech!) to add a layer of intrigue and imagination stimulation.

So: 8/10. Excellent, but not perfect, ymmv and all that, but sooo worth seeing on the big screen for the wow-factor.

Released: 5th October 2017
Viewed: 18th October 2017
Running time: 163 minutes
Rated: 15

My rating: 8/10