Early Riser – Jasper Fforde

early riser cover

“Survivability has increased during hibernation since the introduction of Dormitoria, efficient weight-gain regimes and Morphenox, but superstition and fear remain.”

Imagine an Earth that never really made it out of the last ice age. Perhaps in such a world humans will have evolved to hibernate, sleeping away the cold winter after laying down stores of fat. Technology develops a little differently here, where priorities aren’t quite the same, and top of the desirability stakes is Morphenox, the drug that increases your likelihood of surviving the winter.

Charlie Worthing is keen to escape a life working for the orphanage that raised her, so when she’s given the opportunity to work for the Winter Consulate – a job with Morphenox benefits – she jumps at the chance. This means fighting against the natural instinct to sleep through the cold months, and brings her into contact with the strange winter community. But, why are so many of them sharing the same strange dream? What’s really happening to the zombie-like sleepers who don’t quite come back? And can Charlie survive all that a winter has to through at a novice?

I love Jasper Fforde’s books, his sense of humour and his settings that are almost like our reality but a few large steps sideways. There’s something hugely British about the mix, and really, where else are you going to see (zombie) Rick Astley pop up as a character?

So, to this hugely imaginatively skewed world add a mystery and another puzzle to solve, a dollop of danger, and a set of strange winter myths. Take a moment to ponder the strangeness of dreaming, and question if memory is all you think it is. Shake well, and enjoy!

This isn’t quite Shades of Grey (an absolutely brilliant, sadly (still) stand-alone book) for me, but much as I loved Thursday Next this might be even better. Certainly, I was always keen for moments I could steal to read more of this, and was genuinely disappointed that it was finished! Definitely recommended.

NetGalley eARC: 402 pages
First published: August 2018
Series: none (sob!)
Read from 1st-10th August 2018

My rating: 9/10

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The Furthest Station – Ben Aaronovitch

furthest station cover

“Jaget said he’d been watching this documentary on TV about the way people learn to track animals.”

Set between Foxglove Summer and The Hanging TreeThe Furthest Station picks up with PC Peter Grant well into his training as a… well, magician is probably not a word he’d enjoy. Practitioner? Either way, this isn’t really a starting place for the uninitiated – you’d probably still be able to enjoy the story, but the background isn’t explained in any way here.

What we do get is a curious case that soon attracts the attention of The Folly, the magical-stuff branch of the Metropolitan Police. Ghosts have been harassing people on the Metropolitan Line, and in investigating some of the cases, Peter and his boss, Nightingale, start to wonder if there’s something bigger going on…

I would have grabbed at this to read much sooner, but quite frankly the price tag for such a short tome seemed a bit steep. Hurrah for libraries! 🙂 I actually ended up enjoying this almost more than the full-length novels in the series. I liked the focus on the single plot-line, without some of the distracting diversions that creep in to the longer stories.

I also liked the reintroduction of Abigail, Peter’s far-too-curious little cousin. She was slightly forgotten in the most recent book, but actually her ongoing story should be impacting quite a lot. I do wonder if Mr Aaronovitch is struggling a little with his plot- and time-lines, as things have been jumping around a little. Perhaps more novellas like this could help fill in the gaps that are appearing? Of course, any use of magic is likely to leave gaps in the grey matter, so…! 😉

Fully recommended for fans, even if I do think charging full price for a slim volume you could easily read in a day is a little bit of a cheek. And if you’ve yet to discover the series, absolute give Rivers of London a go first! 🙂

Hardback: 118 pages / 9 chapters
First published: 2017
Series: PC Peter Grant / Rivers of London book 5.5
Read from 10th-13th June 2018

My rating: 8/10

Lucifer (season 1)

lucifer poster

Once upon a time a little graphic novel series, Sandman, told of the Lord of Hell, Lucifer Morningstar, growing bored of the job and deciding to decamp to Los Angeles – where else?! He opens up a nightclub and sets about living life to the full, encouraging the mortals around him to do the same.

Neil Gaimain’s story was picked up by Mike Carey, and Lucifer got his own spin-off comics – which have now been adapted for the small screen, but with the same irreverent humour and sympathy-for-the-devil tone that would probably have my granny rolling in her grave. Ahem!

So… after a shootout at Lux, his nightclub, Lucifer ends up consulting for the police department. He’s soon rather obsessed with Detective Chloe Decker – possibly the one person on earth who seems immune to his plentiful charms. But talking of immunity, how is Lucifer’s power, and his invulnerability, going to be affected by a prolonged stay in the mortal realm?

I’m a bit late to the party with this one, seeing as it was squirrelled away on a less-than-handy broadcaster. Still, better late than never – except for the bit where, after three series, they’ve only gone and cancelled this! Is it still worth watching? Hell, yes! 🙂

I absolutely love the story here. It’s dark and funny and not as blasphemous as some might think (ymmv). More, the intrigue levels are kept high – I practically bounced off the sofa at the big cliff-hanger statement setting up season 2!

Tom Ellis does wonderfully as the sardonic, not-quite-slimey-somehow title character, utterly clueless as to why he can’t walk through life doing and getting what – or who! – he wants. The fish out of water schtick works really well when your outsider character is a fallen angel with the power to make people blurt out their deepest, darkest desires…! His relationship with the detective is so-so, but his experience with therapy (yes, really!) is a hoot, and his faithful demon, Mazekeen, is absolutely kick-ass and I love her a lot!

Best of all, perhaps, is the way that Lucifer is so upfront about who and what he is and watching all the humans around him try to turn into into something else – metaphor, delusion, etc. Waiting for the penny to drop for some of them is the least of what’s keeping me watching, but watching I am! More!! #SaveLucifer all the way!

First broadcast: 2015
Series: 3
Episodes: 13 @ ~42 mins each

My rating: 9/10

A Bad Mom’s Christmas (2017)

Bad Moms 2 poster

Bad Moms was one of those daft comedies that ended up having a little more heart and substance than I’d expected, and actually ended up rather enjoying. I still knew that this holiday-set sequel wasn’t going to be a ‘good’ movie, but it was the daft fun I was looking for.

Amy (Mila Kunis) is doing well after the events of the first movie, with a hot boyfriend, good relationship with her kids, and best friends Kiki and Carla agreeing with her that Christmas is far too much pressure on moms and therefore should be taken at their own pace.

Which is fine, until the grandmothers arrive in town…

The plot is utterly daft, but there is a lot of joy in seeing Susan Sarandon as the drug-hazed rock chick, and Christine Baranski largely playing the same character she does so well. The humour swings between very fun and very cringeworthy, though, so your mileage will vary hugely depending on how far you find funny. The dry humping in front of the Christmas table was a bit off for me, and the whole sickly sweet stalkerish mom didn’t tickle any funny bones. And, as with the first movie, the constant need to swear got a bit dull – and I sound like a naval cadet half the time, so I’m no prude! Maybe if they’d just varied from the one word every few lines?

Overall, though, this was the Christmas movie I was willing to tolerate at the start of the festivities (although it was out a whole month too early, if you ask me!), and provided enough feel good moments to kick off the season. Not exactly likely to knock Die Hard off the best Christmas movie spot, though 😉

Released: 1st November 2017
Viewed: 30th November 2017
Running time: 104 minutes
Rated: 15

My rating: 5/10

MAD Librarian – Michael Guillebeau

MAD Librarian cover

“Serenity tried.”

Just because the budget for her public library is being slashed again and again, doesn’t mean head librarian Serenity Sweetwater Hammer doesn’t have big dreams about what they could do for the local community if only they did have the money. When the all-important internet bill needs paid, her desperate search for cash uncovers something… strange. Fortuitous. Dangerous?

When money becomes no object, what does a librarian do?

I really wanted to like this book. I love books about books and libraries, and handing power to a librarian sounds like a good idea 😉 And of course, it’s a lovely idea that half of the book’s profits go to a library charity. But, alas, concept and reality just didn’t gel for me.

To begin with, the opening chapters – the setting up of the ‘norm’ – are actually quite depressing. Yup, librarians are underfunded. Yup, politicians are vile. But oy, the sexism, the over-the-top aggressive dismissals Serenity faces as she’s expected to produce miracles, just made me grind my teeth. Probably the point, but to be honest I didn’t need to read it again and again.

Nor, actually, did I need the rather out of place sex scene near the end. It’s not too graphic, but it felt very voyeuristic and out of place. Serenity’s marriage subplot really didn’t work all that well for me at all, there was just something clunky about the relationship as written, with overly-perfect cop hubby, Joe Hammer (I mean, really!).

Anyway, the early depressive tone changes to more of a mystery, which does help, but things escalate rather to the point of ridiculousness. The supporting characters don’t help: you’d think distinguishing between the one very young and one very old under-librarians would be easy enough, but to be honest… urm? One had tattoos, one insisted on being called ‘Doom’ – both were very OTT in the ‘anything for the library!’ message.

Overall, I think it was a nice idea, and it was a very quick and easy read. Chapters were very short, a few pages at most, so I suspect a fair amount of those 400 pages were whitespace. However, while I don’t begrudge the reading time, I felt very disappointed that things were only 90%-ish wrapped up, with the first chapter of the sequel included at the end – which I really don’t see me picking up.

NetGalley eARC: 404 pages / 70 chapters
First published: December 2017
Series: first of something, given the sequel’s opening chapter was included at the end
Read from 1st-4th September 2017

My rating: 5/10 – nice idea, but didn’t hit the mark for me

Foxglove Summer – Ben Aaronovitch

Foxglove Summer cover

“I was just passing the Hoover Centre when I heard Mr Punch scream his rage behind me.”

Following on from a bit of a shock at the end of the previous book, Broken HomesFoxglove Summer feels like a bit of a deep breath and attempt at a fresh start for Peter – or at the very least, a bit of a holiday as he’s sent to investigate a case outside of his comfort zone, London, and out in the actual countryside. Can a city boy survive in the sticks?!

The case du jour revolves around two missing girls. The Folly – home to the London police force’s ‘supernatural branch’ – has a long-standing onus to make sure such cases don’t involve practitioners, and so Peter is ostensibly sent out to check up on just such a person. Which is a great opportunity to get a little backstory on the Folly and Nightingale, from a former colleague. One of the strengths of the series, for me, has to be that air of mystery around magic falling out of practice in protecting the UK.

Of course, deciding to hang around to lend a hand in the case more or less ‘just because’, it’s not long before Peter discovers that his expertise may well be needed, after all. I mean, just because one of the missing girls has an invisible friend that happens to be a unicorn doesn’t mean that there aren’t really invisible unicorns hanging about…!

I said ‘fresh start’ in my opening paragraph based, I think, on several previously ongoing plot threads being allowed to lie fallow here. Nothing major, but having read the last few books in relatively short order it is noticeable that characters who have been in the last couple of books are suddenly absent – left back in London, no doubt. On the other hand, Beverley Brook has been largely absent for a while, and makes a reappearance here.

There’s still a sense of the by-now familiarity with the characters giving the writing quite a laid-back feel, even more so with so many ongoing plot threads both coming in and at the end of the book. Shifting the location out of London adds a little breath of fresh air to the surroundings (okay, and I was glossing over a tiny bit on all the descriptions of London’s streets, etc!), too.

Overall, I really enjoyed this – might be my favourite in the series to date, and I’m devastated that reading the next one will mean I have to wait for more to be written!

Kindle: 385 pages / 16 chapters
First published: 2014
Series: Peter Grant / Rivers of London book 5 (of 6, so far)
Read from 16th-19th August 2017

My rating: 8.5/10

Broken Homes – Ben Aaronovitch

broken homes cover

“At twenty-three minutes past eleven Robert Weil drove his 53 registered Volvo V70 across the bridge that links Pease Pottage, the improbably named English village, with Pease Pottage, the motorway service station.”

Despite finding the previous installment – Whispers Under Ground – a little disappointing in terms of the overall series, it did leave me keen to just keep going with this, the next book. And I’m glad: we’re back on form here, with an exciting story involving magic, dryads, and 1970s architecture, but also feeling up-to-the-knees in the ongoing storyline of the lives of Peter, Lesley, and Thomas Nightingale. There’s also the return of a familiar face or two from the previous book!

You definitely need to have started at the beginning of the series, Rivers of London, to really enjoying this installment, I’d suggest. The story itself is… not slow, exactly, but a little measured, so having enough knowledge to find the ongoing character development interesting is needed. Things take their time in coalescing, but gradually the layers build and everything ends with quite the bang!

I said in my review of the previous book that it was starting to feel a little more settled that this is an ongoing series. Here, I’d suggest that the author is starting to settle into it a little further, himself. Still, it’s a slightly odd read when I come to try and write about it. What happens is intriguing, but I suppose there’s still that ‘middle book’ kind of a feel, low on revelations, per se, with much of the excitement left til the last moment – and hints at more to come.

So while I’m still loving the series, I still can’t bring myself to rate any individual book higher than I am.

Kindle: 357 pages / 20 chapters
First published: 2013
Series: Peter Grant / Rivers of London book 4 (of 6)
Read from 27th July 2017

My rating: 8/10