“They said the only folk who belonged in Deadshot after dark were the ones who were up to no good.”
Amani is desperate to escape. From the one-pony dustbowl of a town she lives in, from the cruel upbringing by her aunt, and from the local treatment of women as possessions. She’s got a head full of stories. She’s taught herself to shoot better than any boy. All she needs is a way out.
But when her plans go awry it leaves room for her world to be turned upside down by a foreign troublemaker – and it seems that the wider world may turn out to be nothing like the stories – and all the more wondrous for it.
There was a huge amount to recommend this book to me: the exotic middle-eastern-ish setting, where Djinn are real and mythical creatures abound, and a strong female lead. Plus, I’ve grown to like ‘YA’ as a type of story-telling, usually quicker reads shorn of waffle superfluous to the story, and often high on imagination and drama. Unfortunately, also often high on the teenage romance, which is where this book slightly fell down for me – not that there was a dose of that, but because by the midpoint, it was overshadowing the magic, imo. Amani’s journey becomes far less about strength, and more about puppy-dog eyes – and that rather irritated me. Also, although not entirely the fault of this book, I’m getting rather fed up of world building that retains women being treated rubbishly and it’s the job of the heroine to overcome hideous sexism.
However, while the second half of the book took a turn that didn’t entirely suit me, the first half was easily inhaled in a few sittings. This is very much an opening chapter, and my hopes are high for the subsequent books to fill in more of the wonders of the world that includes shapeshifters, sand horses, and all manner of creatures we might in another realm class ‘mutants’ 😉
Paperback: 358 pages / 30 chapters
First published: 2016
Series: Rebel of the Sands trilogy, book 1
Read from 21st-26th January 2017
My rating: 6.5/10