The Second World War was a time of enormous social change, not least because – as one character in the film puts it – women and old men get opportunities they wouldn’t normally, since all the young men are off fighting and dying.
One such opportunity arrives for Catrin Cole (Gemma Arterton) when she’s recruited to write ‘slop’ – i.e. women’s dialogue – in the Ministry of Information’s propaganda films. She’s soon working as part of a scriptwriting team to write an “authentic and optimistic” movie to inspire the beleaguered nation to continue to support the war effort – and, perhaps, persuade the Americans to join in to what they’ve been viewing as a European issue.
As the movie-within-the-movie progresses, we get to watch often prickly relationships develop into friendships, all against a very un-cosy backdrop of the realities of the ongoing war. Far from the sweet and gentle movie I was expecting, people do die, or see their lives buried in rubble, or just cower in the tube tunnels as the air raids go on night after night. And yet, still, people get on and the movie goes on, and overall there is hope.
Based on a novel with the much better and more illuminating title, Their Finest Hour and a Half, this is worth a watch for romantics and realists, and those who will – like me – smile the broadest at the scenes of how a ‘real life’ event is taken apart and put back together to tell a story more ‘worth telling’.
Released: 21st April 2017
Viewed: 25th April 2017
Running time: 117 minutes
Rated: 12A with a surprising (although not exactly gratuitous) amount of swearing, and some quite dark and potentially upsetting deaths
My rating: 7.5/10