The Hate U Give (2018)

hate u give poster

When Starr witnesses a cop shooting of her best friend after a random traffic stop, her already less than simple life only gets more complicated. One of the few non-white faces at her private school, should she choose to hide her involvement in the tragedy or risk being tagged ‘ghetto’? As she faces pressure to stand up for her community, she will also discover that her friends are not immune to racism, on either side.

I probably wouldn’t have chosen to go see this film, which made it a very good choice – for me – for the Cineworld Secret Screening 9. I’d never heard of the book it’s adapted from, either, although the story is all too familiar, from newspapers and real life.

The drama here is done well. By pitching the story from the angle it does, it’s not just about racism – which makes the message there all the more powerful. Subtly, we’re (I speak as a pasty white Scot, and the audience at my screening was much the same) forced to confront that even trying to be overtly not racist doesn’t deal with the underlying biases in society – and that’s from both the white and black characters in this movie. I particularly liked the response to the common comment, “I don’t see colour” – wow.

The reason I generally avoid dramas like this is that life is hard enough and I prefer my cinema to provide escapism. This is a little too intense for my tastes, and perhaps a little bit over-earnest. Still, valid message and done well.

Released: 22nd October 2018
Viewed: 8th October 2018
Running time: 120 minutes
Rated: 12A

My rating: 8/10


Triple 9 (2016)

Every now and then I get to attend a ‘secret screening’ – an advanced screening of a movie where we don’t know what it is until the BFFC rating screen appears. Speculation is rife ahead of this, and while I think Triple 9 is a decent movie, that kind of build up just killed the whole thing for me – thankfully it wasn’t The Witcher (or Grimsby) but half the audience reacted with, “What?”

What indeed. 999 is the UK emergency (ie 911) number, but in the States it’s the code for ‘officer down’, and also – apparently – drop everything and come running, all ye fellow cops. Cos that ain’t ever going to be a bad idea, right?

The problem I had with this movie was the pace. It is s-l-o-w, and I just wasn’t in the mood for that. Building tension, okay, alright, but… sheesh. So we have some criminals, and some dirty cops, and some other bloke(s), and then there’s the Russian mob (wait, what?) and some weird family stuff, and… yeah o_O

The tension ratchets up as the movie goes along, but the title if nothing else really signposts where we’re heading. And while the amazing cast – Chiwetel Ejiofor, Casey Affleck (really turning into his big bro!), Anthony Mackie, Kate Winslet (oy, that hair!!), and really just every character a big name – all do very very well, overall I just wasn’t, well, thrilled.

And thus we have a weekend of a pretty bad movie that entertained me, and a pretty decent movie that didn’t quite. Go figure.

Released: 19th February 2016
Viewed: 6th February 2016 (advanced screening)
Running time: 115 minutes
Rated: 15

My rating: 6.5/10 – probably deserves the 7, but it was a little slow

In the Heart of the Sea (2015)

Herman Melville’s masterpiece, Moby Dick, or The Whale, was inspired by real events. This movie purports to tell that tale: of a real whaling ship, the Essex, destroyed by a whale – but also the desperate struggle for survival by the crew following the incident, adrift a thousand miles from home.

To my shame, I have never read Moby Dick (I did pick up a free eBook version last night after viewing this movie, though!) so I’m not sure how much more the film has to offer if you’re familiar with the book the events are said to inspire. Still, I really liked the concept of the framing tale: that of Herman Melville (Ben Whishaw) visiting the last survivor of the Essex‘s demise, who has never before told the real events of that fateful journey.

It’s a slight shame that the survivor is a cabin boy, and therefore should have no insight whatsoever into half of the events he proceeds to tell: the relationship between Owen Chase (Chris Hemsworth) and his wife, for instance, or how the Essex‘s owners back out on a previous promise to make Chase captain, only to hire him as first mate to an unseasoned son of a rich shipping family.

At this point, however, my interest was piqued: we have all the set up of a great psychological drama between the experienced first mate and the privileged but untried captain. And yes, the hints of this are thrown up again and again throughout the rest of the story, but… hmm.

That becomes my view of the whole thing, to be honest: ‘hmm’. There is a lot of drama to work with here, and yet it somehow failed to really hit home. I felt I should have been gripping my seat with terror when the whale attacks, and my jaw hitting the floor at the big ‘reveal’ of what survival may entail. I can only suggest that the ‘shocking’ events were so obvious that they lost most of their impact, perhaps?

In the Heart of the Sea is by no means a bad movie. It’s been made with care and often looks gorgeous – well, it would have, if not for the dire attempt at 3D! The camera angles are… often interesting (eg following down a length of rope, through a glass bottle, etc), but whether that’s a plus or minus depends on the individual viewer.

The actors were obviously hugely committed, reportedly undertaking 500-calorie a day diets to achieve the emaciated survivor look – so it’s a shame the accents are all over the place! I’d suggest the writing or editing (or both) isn’t helpful to any of the cast, with no role save that of Chase being remotely memorable: too many came across as “Let’s mention the tragic backstory and/or psychological issues – bring them up again a few times – and then largely have them be irrelevant.”

Overall, I can’t recommend this, but nor will I trash it. Ironically given the title, I really couldn’t figure out the ‘heart’ of this movie, which manages to mash up psychological drama and sweeping adventure, and make nowhere near enough of either.

Released: 26th December 2015
Viewed: 16th December 2015 (advanced, ‘secret’ screening)
Running time: 122 minutes
Rated: 12A- theme/pace unlikely to suit kids of any age

My rating: 5/10