“One hour after the murder the room where they at last found him was so cold they wondered, at first, if he had frozen to death.”
What if Disneyland had a more Westworld kind of a thing going on? That’s the premise of this book. A magical Kingdom, where ‘hybrids’ are bred part machine part flesh, to reintroduce extinct species and provide a playground for anyone rich enough to visit. It’s more Disney visitor park than WW immersive, and there are only seven ‘Hosts’ – I mean, ‘Fantasists’ (I hated that word, btw) – all female, as apparently the male versions were ‘too unsettling’.
Our story follows one of these android Princesses, Anna. It’s told in a similar way to Big Little Lies, starting with courtroom transcripts before the main tale is told in flashbacks as we discover who has died, and why. Slowly, Anna’s perfect existence is shown to unravel at the edges: is their safe haven more of a cage? Is someone messing with their data files? Is there a bigger conspiracy going on than Anna can imagine?
It’s not that I didn’t enjoy the read, but as the references above show, it all just felt like a mash up of several other ideas. Heck, the author even uses the phrase “Violent delights have violent ends” – yes, it ties in well with the Romeo and Juliet theme (being originally from that play, before being used in Westworld) that is rather clunkily thrown in (I get it, it’s from Anna’s point of view, but still meh), but it really only highlights what felt like a lack of originality.
I could forgive that more easily if the story did anything new or exciting or just wowed me in any form. Instead, it never felt like it rose above its derivativeness, for me, and the weakness of the ending only confirmed that feeling of ‘meh’. It’s not a dreadful read by any stretch, but nothing hit any high notes for me at all – if you’re less familiar with those inspirations, then your mileage may indeed vary.
NetGalley eARC: 352 pages / 68 chapters
First published: 2019
Read from 7th-14th July 2019
My rating: 6.5/10